Monday, May 2, 2011
What Could Possibly Happen Next
Wednesday, April 20, 2011
A Poetry Book Club's Response to The Descent of Alette by Alice Notley
A Poetry Book Club's Response to Spring and All by William Carlos Williams
In control, out of control. The idea of the thing. The thing itself. Cutting himself off.
What is the experiment. Connection between poetry and prose. Wanting you to connect it to the poetry. Poems and prose working ON you.
Doing nothing. Imagination without emotional connection. Everyday objects. Artist and the farmer. One thing couched in another.
Red Wheelbarrow: shocking "in here." What does depend on it?
What does it mean for poetry to imitate life. Writing a poetry he can't quite write yet. Supreme importance. Nameless spectacle. Moment of cleavage.
Emerson, Nietzstche. Old turning over the new. Romanticism. Something lost. Disorganization principle. Emerson disobedience. Relatedness. Are these the ideas most poets operate.
Personality. Dialectic. In dialogue. Drawing on.
Projects of NOW: v. learning then, pure and puritanism, inclusive, redundancy, completeness. Always now. What is suspense. Dottie Lasky. Marianne Moore.
Excess. Spring... and all!
Thursday, February 10, 2011
Underlining, I Was Cringing
Do you write in your books? I underline and write in the margins. When I was in college and grad school and grad school, I took most of my lecture notes in the very books we were talking about! Lately, however, (did you know you're really NOT supposed to begin a sentence with however?) I have begun feeling badly about writing in my books. I used to think that writing in my books would be like a kind of legacy. I don't really have much besides books and books are all I care about really, besides knitting. So to read a book that I've read is to know a little about me, what I underlined and bracketed or checked. (I don't know the difference between those things, but that seems to be my system).
