Nine: A Little Shake Shake After Christmas

Is there no limit to the imagination. See, all you have to do is sort of think your mother is a sexy version of Sophia Loren then you'll get over all this Freud stuff and your mother will be just one of the women who are women. (Go for the substantial object). Man looking for a film, sounds familiar. Love Fellini references, not too keen on musicals that aren't Meet Me in St. Louis. Older couple sitting next to me almost trampled me near the exit; I think they wanted to go home to have sex. Muse vs. Artist. Do you want to be the man or the woman. The old man wondered if this film is a bit sexist, but I didn't, fully, oddly. Why didn't I. (Can't a woman sing a song without wearing next to nothing or dancing with a chair kind of like a prostitute. Can't a woman not be an object. What does everything always have to be at a height). A strange role for Daniel Day-Lewis, who sings like The Count. I secretly like it when the stars of musicals can't sing all that well. It started to snow outside while I was in the movie theatre. All women are sex kittens! When women throw their hair about it's sexy! Women are wild! People only think about themselves. The experience is something experiencing. The experience is not the same as what you experience. Watch out for jazz hands. Cut to black and white. When they weren't singing, I secretly hoped the next song would begin soon. Are these the lead-in lines. Why couldn't I be in my thirties in Rome in the '60's. What are you thinking about all the time anyway. What is a role and is anyone really playing a role or just some version of themselves over and over again in different costumes. Finally, a movie that praises the beauty of older women. Are you who you are or who you think you are. Some people make you want to lie down. It was hard getting through Christmas without crying for my sister.